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11 Peter Brueghel the ElderвЂ™s Fall of Rebel Angels (1562) and Peter Brueghel the YoungerвЂ™s The Peasant (.).

10 Each card figures a famous painting, which changes anamorphically into a news reel.

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TV drama without TV genreвЂќ in ItвЂ™s not TV.

8 In an interview concerning the main title sequence Scott Boyajan explained: вЂњOur goal was to create (.).

7 See Jason Mittell, вЂњNarrative Complexity in Contemporary American TelevisionвЂќ, The Velvet Light Tra (.).

вЂњWhen The Grapes Of Wrath meets David LynchвЂќ I will then examine the way in which fiction is subtly enmeshed into the historical template of the Thirties, thus creating a world in which both realms collide. The plot revolves around two parallel storylines, which slowly converge toward one another to conflate into one single plot during the showвЂ™s last two episodes.ДЈ The purpose of this paper вЂ“ while parsing out the web of sub-textual references embedded in the narrative вЂ“ will be to show how, through filmic strategies and narrative structures, the recurrent eruption of dreams and visions in the вЂњnarrative realityвЂќ constantly transgresses the limits between fiction and reality. Besides being melded into historical reality, the intricate subtext, which had been subtly woven into CarnivГ leвЂ™s plot, made it, at the time, one of the most disconcerting and abstruse shows on television since Twin Peaks (ABC, 1990-1991) 6. The showвЂ™s narrative structure was, as Daniel Knauf avers, вЂњdesigned to operate on more than one level 4вЂќ encouraging a new mode of viewer engagement 5. The show follows the uncanny errands of a nomadic sideshow from Oklahoma to California, while the overarching story depicts the epic battle between good вЂ“ the young Ben Hawkins (Nick Stahl) вЂ“ and evil вЂ“ the Methodist preacher Brother Justin Crowe (Clancy Brown).

6 Discussing Twin Peaks, Mark Jancovitch and James Lyons suggest in the introduction of their study o (.)Дў CarnivГ le is a dark and eerie period drama set in the United States during the Dust Bowl at the heart of the Great Depression of the 1930s.

Explore Participatory Culture, New York & Londo (.)

5 See Henry JenkinsвЂ™s book Fans, Bloggers and Gamers.

4 вЂњDan Knauf InterviewвЂќ, The Bally, February 15, 2005, April 11, 2011.

Les multiples rГ©fГ©rences culturelles, historiques et gГ©ographiques produisent un espace flou entre la fiction et la rГ©alitГ©. Le mГ©lange entre lвЂ™histoire (le Dust Bowl et la Grande DГ©pression) et la fiction augmente la confusion du spectateur. LвЂ™oscillation constante entre la fiction et la rГ©alitГ© dГ©soriente les tГ©lГ©spectateurs lorsquвЂ™ils sвЂ™aventurent dans un monde oГ№ les rГЄves et la rГ©alitГ© se confondent, et elle crГ©e une rГ©alitГ© fictive propre, pendant que la structure complexe du rГ©cit et des thГЁmes sous-jacents induisent un engagement croissant chez le spectateur puisque le dГ©veloppement de lвЂ™histoire demande toute son attention pour dГ©chiffrer sa signification. Cet article explore comment la fiction et la rГ©alitГ© interagissent dans le rГ©cit complexe de la sГ©rie, qui rompt avec les formules dвЂ™une sГ©rie tГ©lГ©visГ©e traditionnelle. HBO a annulГ© la sГ©rie aprГЁs deux saisons (2003-2005), non seulement parce que les taux dвЂ™audience avaient baissГ© de maniГЁre importante, mais aussi pour des raisons financiГЁres.

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The numerous cultural, historical and geographical references create a blurred area located between fiction and reality.Д¬arnivГ le, crГ©e par Daniel Knauf, reprГ©sente une fГЄte foraine itinГ©rante qui chemine dans le Dust Bowl pendant la pГ©riode instable de la Grande DГ©pression, tandis que le rГ©cit plus large dГ©peint une bataille Г©pique entre le bien et le mal. The fusion between history (the Dust Bowl and the Great Depression) and fiction enhances the viewerвЂ™s sense of confusion. The constant oscillation between both realms disorientates the viewers as they venture into a world where dreams and reality conflate, creating its own fictional reality, while the narrativeвЂ™s complex pattern and subtext induce greater involvement on the viewersвЂ™ behalf as the unfolding story requires their complete attention in order to decipher its meaning. The present article explores how fiction and reality interact in the showвЂ™s complex narrative pattern, which disrupts the formulaic structure of traditional TV series. The show was cancelled by HBO after two seasons (2003-2005) not only because viewing rates had dropped significantly but also for financial reasons.

CarnivГ le, created by Daniel Knauf, portrays a travelling carnival wending its way through the Dust Bowl during the unsettled period of the Great Depression, while the overarching story depicts the epic battle between good and evil.